Friday 28 April 2023

Lot 269

A portrait of Muhammad Shah Qajar's Vizier Haji Mirza Abbas Iravani, better known by his title...

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Lot 269

A portrait of Muhammad Shah Qajar's Vizier Haji Mirza Abbas Iravani, better known by his title...

Price Realised: Unsold Lot

Estimate: £800 - £1,200

Price realised is hammer price plus fees (30% Buyers Premium inclusive of VAT).

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Lot 269

Description

A portrait of Muhammad Shah Qajar's Vizier Haji Mirza Abbas Iravani, better known by his title of Aqasi, Iran,dated 1325AH/(1907AD), opaque pigment on paper, depicted standing and holding a staff in a bricked courtyard with figures smelting behind, a wheel to the foreground, with two Persian inscriptions above, to the left the name and date of 1241/1825AD, to the right the name of the painter Abol Hassan Shirazi and date 1325AH/1907AD, 30 x 20.5cm. 

Haji Mirza Abbas Iravani, was an Iranian politician, who served as the grand vizier of Mohammad Shah Qajar (r. 1834–1848) from 1835 to 1848.

Abbas was born in 1783 in Iravan (Yerevan), a city located in the Iravan Khanate, a khanate (i.e. province) located in the northwestern part of Qajar Iran. He was a son of Moslem ibn Abbas, a wealthy landowner, and a member of the Bayat clan. During his youth, Abbas spent his time with his father in the holy Shi'ite sites in Ottoman Iraq, where he was tutored by the Ne'matallahi Sufi teacher Molla 'Abd-al-Samad.  Aqasi entered into the service of Abbas Mirza, who by 1824 had appointed him as the tutor of several of his sons,Aqasi however he refrained from using the traditional vizier title of Sadr-e azam, instead referring himself by the title of Shakhs-e awwal (meaning "the first person" or "premier").

Aqasi initiated Mohammad Shah into Sufi mysticism, and the two men "came to be known as two 'dervishes'." While he has often been criticized for contributing to the disasters of the reign, it is possible that he was attempting to use Sufism as a weapon against the growing hold of the official representatives of religion, the mullahs, who were opposing both modernization and foreign influence. In foreign affairs, he managed to "prevent Iran disintegrating either into autonomous principalities or appanages of Russia, and Britain," and internally he "revived the cultivation of the mulberry tree in the Kerman region, to feed silkworms; and he envisaged the diversion of the waters of the River Karaj for Tehran's water-supply.

Buyer's Premium

The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.

VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.
(ARR) - ARTIST'S RESALE RIGHT

Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500

Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Export of goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

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