Wednesday 27 November 2024

Lot 28

David Bomberg, British 1890-1957 - Farm Field, Talgwyn, Red Wharf Bay, 1944; oil on canvas, signed...

View More

Lot 28

David Bomberg, 
British 1890-1957 - 
Farm Field, Talgwyn, Red Wharf Bay, 1944; 
oil on canvas, signed...

Starting Bid: £16,000

Estimate: £25,000 - £30,000

Get Shipping Quote

See shipping conditions on our partner's website.

Get Shipping Quote

See shipping conditions on our partner's website.

Additional fees apply 31.2%. Inc.VAT/sales tax - Bid Calculator

Please note that submitting this bid is legally binding.

Share this lot

Let your friends and family know about this lot

Lot 28

Description

David Bomberg, 
British 1890-1957 - 

Farm Field, Talgwyn, Red Wharf Bay, 1944; 

oil on canvas, signed and dated lower right 'Bomberg 44' and bears inscription with title on the reverse of the stretcher, 58.5 x 76 cm (ARR) 

Provenance: 
with Boundary Gallery, London (by repute); 
private collection, London, purchased in 1983 

Note: 
the owner of the work was a close friend and client of Agi Katz, founder and director of Boundary Gallery, who specialised in the work of David Bomberg and other Jewish and émigré artists in Britain; Rosebery's were responsible for selling her Estate in 2022. The work is listed in an inventory made by Agi Katz of the owner's collection. 

Made towards the end of the Second World War, Bomberg visited Angelsea with his family in 1944, making a number of works of Talgwyn Farm as a respite from the more urban works he had been making. Richard Cork has described these as showing his 'impulsive emtional reaction to the landscape'. This followed an important commission for the War Artists Advisory Committee in 1942 to paint an underground bomb store at RAF Fauld in Tutbury, creating a small body of works that were highly abstracted and almost geometric in form. Bomberg would make more trips across the UK in 1946, making a series of similarly expansive landscapes of Cornwall, Devon and Scotland. These landscapes present a renewed engagement with nature itself and a large number of these are now in public collections including 'Evening, Cornwall, 1947' (Herbert Art Gallery & Museum, Coventry), 'Bideford, Devon, 1946' (Royal Albert Memorial Museum & Art Gallery, Exeter) and a related Welsh landscape, 'Talgwyn Farm, Red Wharf Bay, Anglesea, 1944' (The Art Gallery of Western Australia, Perth). 

David Bomberg was a member of the Whitechapel Boys. He studied at the Slade School of Art under Henry Tonks, and alongside artists such as Stanley Spencer, Ben Nicholson, and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliano, Kisling, and other prominent Jewish artists living in France. 

His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bombergs work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh.

Please login to request a condition report or ask more questions.

Buyer's Premium

The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.

VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.
(ARR) - ARTIST'S RESALE RIGHT

Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500

Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Export of goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Own a similar item?

Receive alerts about similar lots

Continue Browsing

View More Lots View More Lots

LOT 29

Dame Ethel Walker, British 1861-1951 - Standing male figure study; pencil on paper, 30.5 x 21.3...

Estimate: £400 - £600

Current Bid: £400

LOT 30

Dame Ethel Walker, British 1861-1951 - Study for 'The Zone of Love: Decoration', c.1930-2; pencil...

Estimate: £400 - £600

Starting Bid: £280

LOT 31

Dame Ethel Walker, British 1861-1951 - Donkey studies; pencil on paper, 11.8 x 34.5 cm: together...

Estimate: £400 - £600

Starting Bid: £280

LOT 32

Erna Hoppe-Kinross, German/British 1875-1964 - Peasant in a Wood (Colette au Verger); oil on...

Estimate: £300 - £500

Starting Bid: £200

LOT 33

Erna Hoppe-Kinross, German/British 1875-1964 - Frolic (Children at Play); oil on canvas, signed...

Estimate: £400 - £600

Starting Bid: £280

LOT 34

Erna Hoppe Kinross, German/British 1875-1964 - Portrait of Charles, 1910; oil on card, signed,...

Estimate: £300 - £400

Current Bid: £220

LOT 35

Erna Hoppe Kinross, German/British 1875-1964 - Portrait of the Artist, 1908; oil on panel, signed...

Estimate: £300 - £400

Current Bid: £220

LOT 36

Grace English, British 1891-1956 - Portrait of Hellene Walton, 1915; ink on paper, signed and dated...

Estimate: £300 - £400

Current Bid: £220

LOT 37

Frank Charles Medworth, British 1892-1947 - Girl fastening her stockings, 1925; woodcut on paper,...

Estimate: £300 - £500

Starting Bid: £200

LOT 38

Roderic O’Conor, Irish 1860-1940 - Woman seated looking down, 1920;  charcoal on paper, 35 x 25.5...

Estimate: £1200 - £1800

Starting Bid: £800

LOT 39

Roderic O’Conor, Irish 1860-1940 - Seated draped female nude, 1920; black chalk on paper, 34 x 26...

Estimate: £1200 - £1800

Starting Bid: £800

LOT 40

After Aristide Maillol, French 1861-1944, Baigneuse debout, deuxième version, 1900; bronze, signed...

Estimate: £2000 - £3000

Starting Bid: £1,400

LOT 41

'Alastair' (Hans Henning Otto Harry Baron von Voigt), German 1887-1969 - The offering; gouache...

Estimate: £500 - £700

Starting Bid: £340

LOT 42

Ker-Xavier Roussel, French 1867-1944 - Élégante Assise, c.1893-94; charcoal on paper, bears...

Estimate: £600 - £800

Starting Bid: £420

LOT 43

John Nash CBE RA, British 1893-1977 - Snake and Frog; ink and gouache on paper, 19 x 37 cm...

Estimate: £700 - £900

Starting Bid: £480

LOT 44

Dame Laura Knight DBE RA RWS, British 1877-1970 - Ballet backstage No.1; pencil on paper, signed...

Estimate: £700 - £900

Starting Bid: £480

Newsletter SignupNewsletter Signup

Keyword AlertsKeyword Alerts